Program: Day 3

Tentative d'épuisement d'un lieu berlinois. Psychogeographic experiment by George Perec

May 6 | 11:00 | Walk | Outside program / meeting point: Rosenthaler Platz

Let us know here if you want to attend this walk. David Wagner undertakes the attempt to exhaust Rosenthaler Platz, in a collective standing around, drifting, and yes, in an occupation of the square, which, as anyone who has ever been there knows, does not actually exist. At the specified place there is only a life-threatening intersection. The title is, of course, a quote from George Perec, who was not a situationist, but a great psychogeographer.

Berlin urban hike №1

May 6 | 12:00 | Walk | Outside program / meeting point: Kunstquartier Bethanien (entrance)

Let us know here if you want to attend this walk. 25 km with everyone who wants to join! I have been walking with people around Kyiv for more than 10 years. Now I invite you to walk around Berlin with me. This city is very similar in size and variety to Kyiv, and it’s been a long time since I wanted to try urban hiking there. Approximate route: Neukölln, Tempelhof, Schöneberg. You can join and leave us at any time. (!) This is not an excursion but a hiking trip. The walking pace is above average. Don’t forget to wear comfortable shoes (we walk through natural landscapes, mud/sand/dirt, everything), and any protection from wind/sun/rain. It will be a good idea to take food/tea with you. There will be short stops for rest.

Map Me Happy Walk (Sensorial glimpse of Ukrainian cities in Berlin)

May 6 | 13:00 | Walk | Outside program / meeting point: Kunstquartier Bethanien (entrance)

Let us know here if you want to attend this walk. We use our senses to discover familiar glimpses of Ukrainian cities in Berlin. We will smell, touch, and hear the unknown city, believing it becomes more friendly or understandable at the end of the walk. Perhaps, together we will discover some common fragments for both cities or just experience Berlin differently. We strongly believe that senses and people can overcome distances and help to feel safe in space. Map Me Happy — a user-generated platform for collecting and sharing sensorial experiences in a built environment.

Vanishing Berlin & Lost Places. Photowalk

May 6 | 14:00 | Walk | Outside program / meeting point: Kunstquartier Bethanien (entrance)

Let us know here if you want to attend this walk. The audience is welcome to join the artist for a walk. City centres being sold out, underground scenes and neighbourhood identities being displaced, the associated underlying feelings of loss — all these are worldwide phenomena. Today the faces of many cities are characterised by soulless architecture, conformity and surging rents. Since 2009 Alexander Steffen has been taking photographs of transient landmarks all over the city, documenting the process of change within the urban environment. Vanishing Berlin captures the places that we will remember wistfully, though we did not think we would ever miss them. These places characterise Berlin, but equally they are vanishing at an unprecedented pace.

Palimpsests – Alexanderplatz

May 6 | 15:00 | Walk | Outside program / meeting point: Alexanderplatz, Television tower

Let us know here if you want to attend this walk. Since ancient times Palimpsests describes a rewritten paper, a process to recycle a carrier of multiple texts. With this in mind the project, Palimpsests deals with the surroundings of Alexanderplatz. Consisting out of a map and a walk it uses the method of psychogeography to enfold and access the specific moment of long-lasting standstill and the current prospect of change. It will tackle site-specific questions by examining a feeling many people share when entering Alexanderplatz: Discomfort. Looking for the initial triggers of this affective reaction besides tourism and consumerism which encourages one or the other “to be on the run,” Palimpsests also searches for places of refuge to rest.


May 6 | 16:00 | Walk | Outside program / meeting point: Kunstquartier Bethanien (entrance)

Let us know here if you want to attend this walk. The City Theatre’s walk at the Drift! is about physical and imaginary experience of space. About what can be thought and seen, and the distance to these things. About water arteries of Berlin and its walls, architectural objects and our attituted to them. We will think about these and other questions while walking through Kreuzberg together. The audio walk for the festival is created by Mariia Borysova, a cultural expert and project coordinator. The name of the composer will be known later.

Tracing Benjamin's One-Way Street

May 6 | 18:00 | Walk | Outside program / meeting point: Kunstquartier Bethanien (entrance)

Let us know here if you want to attend this walk. Anyone interested is welcome to join a psychogeographical walk dedicated to One-way Street, an experimental text by philosopher Walter Benjamin. There, he portrays an imaginary street filled with signs, objects, situations, mindsets, and landscapes. Sixty autonomous short prose pieces named after urban phenomena — from Filling Station to Planetarium — and elaborating on topics from love to revolution, are scattered around any metropolis, illuminated with the miscellany of Benjamin’s ideas. Together, split into groups, we will collect their traces in the streets of Berlin. Each group is to pick up a piece, find a place that echoes it, and revoke Benjamin’s images with discussions.

Public Spaces in Ukrainian Cities: Acknowledging the Past, Living the Present, Looking into the Future

May 6 | 14:00-15:00 | Lecture | Studio 1 / Kunstquartier Bethanien

There is a paradox at the very heart of the city. On one hand, the “urban” and the city’s public spaces were traditionally regarded as an arena of political, social, and cultural life. It is the public spaces of the city that generate certain forms of belonging and community, where individuals, strangers and the rootless acquire their civic identities and actualize their “right to the city.” While on the other hand, the public space is a scene of civility, urban rituals, congregation, and interaction. And besides, the public spaces have always been the places of representation of urban memory as a shared vision of the collective past. In the moments of crisis, when identity and heritage become targets, public spaces in a city become a battlefield. The process of recovering local identities in a post-colonial condition is complicated by the historical traces of empires (e.g. Russian, Soviet or else) that often remain, and at times become interwoven with a place and its peoples. This talk considers how the public spaces of Ukrainian cities have changed in the last decade (and especially since the full-scale Russian invasion into Ukraine), and how they surely will again after the war ends.

Alone, Together: Following the path of others through landscape and words

May 6 | 15:00-16:30 | Panel | Studio 1 / Kunstquartier Bethanien

The meeting point for writer Paul Scraton and translator Jurgen Ghebrezgiabiher are the Harz mountains, the place where their walking and writing projects converge — Paul following Heinrich Heine, Jurgen following Horatio Clare and J.S.Bach. After introducing their projects, they will explore the why and how of what they do. How do we connect to a narrative in place that has been explored and told by another? Do we as readers, writers and translators become some kind of perceptive doppelgänger? What does it mean to re-walk, re-experience and re-write the stories of place? How do we connect across the distance of time? And might soundscape, as Horatio Clare suggests, offer a link across the centuries?

Flaneur magazine Issue 09: Boulevard Périphérique, Paris. FRAGMENTS OF A STREET

May 6 | 17:00-18:00 | Performance | Studio 1 / Kunstquartier Bethanien

Streets are always larger on the inside than on the outside. Shortly before their 10th anniversary, the editors-in-chief of Flaneur Magazin, Grashina Gabelmann and Fabian Saul, take the audience to the hidden corners of Kantstraße in West Berlin and other streets of the Flaneur editions. Texts, music recordings and images reveal invisible layers and connections of the streets. At first glance, these stories, voices, and events appear to have little to do with one another, yet their juxtaposition is inherent in a pattern that contrasts counter-narratives with canonized majority narratives.

Psychogeography and Club Culture: Berghain and K41 from an Architectural Perspective

May 6 | 18:00-19:00 | Lecture | Studio 1 / Kunstquartier Bethanien

Thomas Karsten, an architect, elaborates on his participation in the creation of clubs Berghain (Berlin) and K41 (Kyiv), factors influencing their structural implementation, the subordinate role of the design aspect, the different backgrounds, history and social/cultural aspects of both cases.

The godfather of psychogeographic writing: Iain Sinclair in Berlin

May 6 | 14:00-15:00 | Lecture | Projectraum / Kunstquartier Bethanien

With his literary wanderings through and around London, Iain Sinclair became one of the most important representatives of “psychogeographical writing.” Although Sinclair has associated himself with psychogeography, he now tends to use terms such as “drift/drifting,” “ramblings” or the psychoanalytically grounded “fugue” for his practice of walking and writing. His two visits to Berlin are also reflected in texts in which, among other things, “Speer became an anagram of the Spree.” The lecture will pursue these texts and shed light on how much Sinclair’s walking and writing are congruent, independent of a specific location.

Content. Ambient Road Movie

May 6 | 15:00-15:30 | Film presentation | Projectraum / Kunstquartier Bethanien

Content is an ambient road movie and a loose sequel to previous films Radio On (1979), Radio On Remix (1999) and London Orbital (2000, with Iain Sinclair). Vimeo

Film program curated by Claudia Basrawi

May 6 | 15:30-16:30 | Film presentation. Screenings | Projectraum / Kunstquartier Bethanien

Das Schlesische Tor

Das Schlesische Tor, 1982, 24 minutes
Director: Clemens Klopfenstein
Country: Switzerland
Language: German

Synopsis: “Images and sounds from Berlin, Tokyo and Hong Kong, mixed and dazzled by each other and supported by westernized Chinese music, give rise to a feeling of homesickness and wanderlust. Of longing, of somewhere and nowhere … the feeling of the “terribles 5- heures du soir”, where you have to reach for a bottle, the phone or old letters until the calming night falls. In addition, this small film is intended to make the viewer feel the roundness of the earth, the morning in Tokyo is the evening at Schlesisches Tor : the course of the shadow around the earth.” (Clement Klopfenstein)

Clemens Klopfenstein, the “veteran of Swiss film” was already there in Solothurn, he shot with everything he could get his hands on and set his eyes on: first 8mm, then Super8, later 16mm, Super16, 35mm. He has been living in Umbria for forty years as a painter, draftsman, producing with family Franciscan budgets. “The desire for adventure and the exploration of the foreign/exotic, but also the ironic, self-critical observation of the close, familiar and known are Klopfenstein’s basic motives. And there is always a level of irony, of ambiguity, of playing with nuances.” (Ulrich Gregor)

Et In Arcadia Ego

Et In Arcadia Ego, 2001, 3 minutes
Director: Kerstin Cmelka
Country: Germany/Austria
Language: without/silent

Synopsis: A sleeping woman sits between three trees in a meadow, a straw hat in her lap. A doppelganger roams next to her. Et In Arcadia Ego is the title of this film by Kerstin Cmelka, which refers to a pictorial tradition based on just that formula. It evokes “the backward-looking vision of unsurpassable happiness” as art historians Erwin Panofsky put it (Claudia Slanar).

Kerstin Cmelka was born in 1974 in Mödling, Austria. In 1999-2005 she studied at the HfBK – Städelschule, Frankfurt/Main with Peter Kubelka, Monika Schwitte, Thomas Bayrle and Simon Starling. Exhibition activities and performances, participation in film festivals and shows since 1999. She lives and works as a visual artist, filmmaker and performer mainly in Berlin. Since 2005 she has also been involved in various teaching activities.

Der Adler ist fort

Der Adler ist fort, 2010, 21 minutes
Director: Mario Mentrup
Text: Bert Papenfuss
Country: Germany

Synopsis: A bitterly cold night in February 2009 at Berlin-Alexanderplatz. Three people are each probed, fixed, lost and picked up again by the camera. Gazes run into space, seem to meet. TARWATER’s songs orchestrate the shadowy world of night and its sources of light, phantoms, insomnia and somnabula. From time to time the figures of kids scurry through the picture, hanging out and drinking in this inhospitable place despite the ban. A film melange of contemporary document, expressionism and an agitprop that becomes poetic. A film by Mario Mentrup & Volker Sattel with Sofia Larsson-Ocklind aka Soffy O, Bennet Togler, Christoph Bach

Mario Mentrup was born 1965 in Emden. Lives in Berlin as an actor, musician and filmmaker. Since 2017 kettlebell steel mace and body trainer, performance trainer, personal trainer. Work as an actor with Keren Cytter, Clemens von Wedemeyer, Judith Hopf, Deborah Schamoni, Bruce La Bruce, Kerstin Cmelka, among others. Mario Mentrup was a singer, composer and guitarist with KNOCHEN GIRL from 1987 – 1995 and founded the music project PASADENA PROJEKT in 2004.

Beirut meeting the Saints

Beirut meeting the Saints (excerpts), 2020/22, 13 minutes
Country: Germany

Synopsis: After a long absence, Claudia Basrawi returns to the city of Beirut and experiences it from a strange/familiar perspective. Strolling through the familiar or unfamiliar urban environment, off the beaten track, opens up new perspectives and a different kind of perception. With numerous drawings that have been created in recent years, with audio tracks and photos from and about Beirut, places and topics are viewed and documented from a subjective point of view. The audience is taken on a journey through the city through the texts, soundtracks and various visual materials; Architecture and people merge and become models of the city.

Homo Sapiens Project

Homo Sapiens Project (93), 2012, 12 minutes
Director: Rouzbeh Rashidi
Countries: Iran and Ireland
Language: without/silent

In 2011 Rouzbeh Rashidi initiated the Homo Sapiens Project (HSP), an ongoing series of personal experimental video works. Since its inception HSP has undergone an organic metamorphosis, drastically mutating from cryptic film diaries and oneiric sketches to fully-polished feature films. As a result, the project has created many different experiences for Rashidi as a filmmaker; yet while HSP is steadily evolving, one thing remains constant: the view to create impressionistic portraits of people and places, suffusing them with an eerie sense of mystery that is perhaps reminiscent of horror and sci-fi cinema.

Rouzbeh Rashidi (born in Tehran, 1980) is an Iranian-Irish filmmaker. He has been making films since 2000, at which time he founded the Experimental Film Society in Tehran. Rashidi has always worked entirely away from mainstream conceptions of filmmaking, striving to escape conventional storytelling stereotypes. Instead, he roots his cinematic style in a poetic interaction of image and sound. He generally eschews scriptwriting, seeing the process of making moving images as exploration rather than illustration. His work is deeply engaged with film history, and primarily concerned with mysticism, philosophy, esotericism, cosmology, phenomenology, and hauntology.

Sound of Gentrification: Unfamiliar Home

May 6 | 17:00-18:00 | Talk | Projectraum / Kunstquartier Bethanien

The starting point of the work is the modernization (between 2011-2013) of the apartment building in which the artist couple Fromberg/Roigk live. The massiveness and power of sound of this construction project was just as much inspiration for the work as the associated fragility of personal living conditions: what it is like to live against one’s will in the middle of a permanent construction site. From an overall perspective, Unfamiliar Home artistically reflects the recent major wave of renovations in the former working-class district of Prenzlauer Berg. “The fleeting sound of an urban Berlin — soon just history when all historical materials have fallen victim to the real estate funds” (Daniela Fromberg & Stefan Roigk).

Clearing of Mainzer Strasse, Friedrichshain on 14.11.90 — an audiovisual psychogram

May 6 | 18:00-19:00 | Talk | Projectraum / Kunstquartier Bethanien

The audio-visual installation 14.11.90 is a psychogeographical documentation that on the one hand makes it possible to experience the events surrounding the eviction of the squatters in Mainzer Strasse in 1990 as a state of emergency, but can also be read as a kaleidoscope of a society in upheaval. The material is made up of TV and radio reports from the time, original recordings of the eviction from various archives, interviews with contemporary witnesses and photos. Civil war-like slow-motion videos of the events surrounding 14.11.90 are juxtaposed with b/w photos by Marko Krojac of everyday life in Friedrichshain at the beginning of the 1990s, creating an atmospheric tableau of the post-transition period in East Berlin between departure and resignation.


May 6 | 19:00-20:00 | Film presentation. Screenings | Projectraum / Kunstquartier Bethanien

Dvoramy does not translate into the language of modern urban policies, where urban space is determined by capital flows and the primacy of private property. Dvoramy is a proposal to think about space without signs, and about cinema without the film industry. A selection of short films by Ukrainian filmmakers that offer insight into one’s own spaces.